Art & Language
Portfolio von Art & Language
Ausstellungen mit Kadel Willborn:
2013 Letters to The Red Krayola
Michael Baldwin, 1945 in Chipping Norton, Oxon, geboren, lebt und arbeitet in der Nähe von Banbury, Oxon
Mel Ramsdem, 1944 in Ilkeston, Derbyshire, geboren, lebt und arbeitet in der Nähe von Banbury, Oxon


Institutional Collections (Auswahl):
The Tate Gallery, London, UK
Museum of Modern Art, New York, US
The Centre Pompidou, Paris, FR
The National Gallery of Australia, Canberra, AU
Museu d'Art Contemporani, Barcelona, ES
The Museum of Contemporary Art, Los Angeles, US
Stedelijk Museum voor Actuele Kunst, Ghent, BE
Museum Moderner Kunst, Vienna, AT
Museum of Modern Art, Brussels, BE
Migros Museum, Zürich, CH
Einzelausstellungen
2016 Chateau de Montsoreau, FR
MulierMulier Gallery, Knokke, BE
2014 "Art & Language Uncompleted", Museu d'Art Contemporani de Barcelona, ES
"Made in Zurich“, Galerie Bernard Jordan, Zurich, CH
"Art & Language: Nobody Spoke", Lisson Gallery, London, UK
2013 Museum Dhondt-Daenens, Deurle, BE
’The Hut Project Painting with Art & Language“ ’ blip blip blip, Leeds, UK
"Art & Language Paints a Picture“, Juana de Aizpuru, Madrid, ES
"Portrais of President Barack Obama n the Style of Jackson Pollock", MulierMulier Gallery, Knokke-Zoute, BE
'Letters to The Red Krayola', Kadel Willborn, Düsseldorf, DE
Garage cosmos, Brussels, BE
2012 ‘Art & Language’, Summerhall, Edinburgh, UK
’Art & Language’, Migros Museum fur Gegenwartskunst, Zurich, CH
2011 ‘Art & Language, Official Squares Again’, Galerie Grita Insam, Vienna, AT
‘Art & Language, ‘Portraits and a Dream’, University of Kent, Canterbury, Kent, UK
2010 ‘Art & Language, ‘Portraits and a Dream’, Lisson Gallery, London, UK
2009 ‘Art & Language’, EMMA, FI
‘Art & Language, Works on Paper’, Galerie Thaddaeus Ropac, Salzburg, AT
Art & Language, recent works’, Espacio Distrito Cu4tro, Madrid, ES
2008 ’Art & language - works 1965-78’ , 2007-2008’ - Mulier Gallery, Knokke-Heist, BE
‘Brouillages/blurrings . Works on paper - Galerie Thaddaeus Ropac - Paris, FR
2007 ‘Now They Are Surrounded: Reconfigured’, London Metropolitan University, UK
‘Art & Language’, Distrito Cu4tro, Galeria de Arte, Madrid, ES
2006 ‘Il ne reste qu’ à chanter’, Galerie de l’Erban, Nantes (Miroirs 1965, Karaoke 1975-2005) and Chateau de la Bainerie (Travaux 1965-2005), FR
2005 ‘Now They Are Surrounded’, Guildhall Art Gallery, London, UK
‘Hard to Say When’, Lisson Gallery, London, UK
‘Now They Are Surrounded’, November 2005, Zentrum fur Kunst und Medientechnologie, Karlsruhe. Exhibition to accompany the symposium ‘Art & Language and Luhmann III’, DE
2004 Galeria Filomena Soares, Lisbon, PL
‘Art & Language’ CAC Málaga, ES
2003 ‘What work does the Art work do?’ London Metropolitan University, UK
‘Art & Language’, Migrosmuseum fur gegenwartskunst, Zurich, CH
2002 Too Dark to Read: Motifs Rétrospectifs’ , Musée d’art moderne de Lille Métropole, Villeneuve d’ascq, FR
‘Mother, Father, Monday’, Lisson Gallery, London, UK
2001 ’15 Essays’, Mulier mulier Gallery, Knokke, BE
1999 Art & Language in Practice’ , Fundació Antoni Tapies, Barcelona, ES
‘Cinco Ensayos’, Galería Juana de Aizpuru, Madrid, ES
‘The Artist out of Work: Art & Language 1972-1981’ PS1/Contemporary Art Center, New York, US
‘Three Essays’, Galerie Grita Insam, Vienna, AT
'Art & Language & Luhmann No.2’ ZKM, Karlsruhe, DE
1998 ‘Sighs Trapped by Liars’, Mulier-Mulier Gallery, Knokke, BE
Galerie Poo Poo, London, UK
1997 ‘Art & Language: Conceptual Art from 1966 to 1996', Mulier-Mulier Gallery, Knokke, BE
1996 ‘Art & Language’, Kunsthalle St Gallen, CH
‘Sighs trapped by Liars’, Galerie de Paris, FR
Juana de Aizpuru, Seville, ES
1995 ’Art & Language and Luhmann’, Kunstraum,Vienna, AT
Juana de Aizpuru, Madrid, ES
1994 ‘Early Work 1965-1976; Recent Work 1991-1994’, Lisson Gallery, London, UK
1993 Galerie Nationale du Jeu de Paume, Paris, FR
1992 Grita Insam Gallery, Vienna, AT
Galerie Isy Brachot, Brussels, BE
1991 Arnolfini Gallery, Bristol, UK
‘Hostage Paintings: The Dark Series’, Lisson Gallery, London, UK
‘Hostage Paintings 1987- 1991’, ICA, London; John Hansard Gallery, The University, Southampton, UK
'Hostages’, Galerie de Paris, Paris, FR
The British School, Rome, IT
1990 ‘Hostages XXIV-XXXV’, Marian Goodman Gallery, New York, US
1989 ‘Art & Language: Early Works 1966-1974’, Galerie Sylvana Lorenz, Paris, FR
‘Hostages: Incidents and Peoples' Flags’, Galerie Max Hetzler, Cologne, DE
‘Hostages’, Galleria Schema, Florence, IT
1988 'Hostages’, Lisson Gallery, London, UK
1987 ‘Index: Incidents in a Museum’, Lisson Gallery, London, UK
‘Art & Language: The Paintings’, Palais des Beaux-Arts, Brussels, BE
Marian Goodman Gallery, New York, US
1986 ‘Confessions: Incidents in a Museum’, Lisson Gallery, London, UK
‘Index: An Incident in a Museum’, Galerie de Paris, Paris, FR
1985 ‘Studies for the Studio at 3 Wesley Place’, Tate Gallery, London, UK
1983 ‘Index: Studio at 3 Wesley Place (Illuminated by an Explosion Nearby), V, VI’, Lisson Gallery, London, UK
Los Angeles Institute of Contemporary Art, Los Angeles, US
Index: Studio at 3 Wesley Place’, Ikon Gallery, Birmingham, UK
‘Index: Studio at 3 Wesley Place I, II, III, IV’, Gewad, Ghent, BE
Index: Studio at 3 Wesley Place (Illuminated by an explosion Nearby), VII, VIII’, Galeria Grita Insam, Vienna, AT
1982 ‘Index: Studio at 3 Wesley Place Painted by Mouth’, De Vleeshal, Middelburg, UK
‘Art & Language’, retrospective, Musée d'Art Moderne, Toulon, FR
1981 ‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, Centre d'Art Contemporain, Geneva, CH
‘Gustave Courbet's 'Burial at Ornans' Expressing...’, Galerie Eric Fabre, Paris, FR
1980 Portraits of V.I. Lenin and others in the Style of Jackson Pollock’, Lisson Gallery, London, UK
‘Portraits of V.I. Lenin in the Style of Jackson Pollock’,Van Abbemuseum, Eindhoven, NL
‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, University Gallery, Leeds, UK
1979 ‘Ils donnent leur Sang; donnez votre Travail’, Galerie Eric Fabre, Paris, FR
‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, Jan Sack, Antwerp, NL
1978 ‘Art-Language’, Galerie Association, Nice, FR
‘Flags for Organisations’, Cultureel Informatief Centrum, Ghent, BE
'Flags for Organisations’, Lisson Gallery, London, UK
1977 ‘Illustrations for Art-Language’, Robert Self Gallery, London, UK
Robert Self Gallery, London, UK
‘Music-Language’, Galleria Lia Rumma, Rome and Naples, IT
1975 ‘Piggy-Cur-Perfect’, Auckland City Art Gallery, Auckland, NZ
‘Music-Language’, Galerie Eric Fabre, Paris, FR
Galerie MTL, Brussels, BE
Galerie Ghislain Mollet-Viéville, Paris, FR
‘Dialectical Materialism’, Galleria Schema, Florence, IT
Foksal Gallery, Warsaw, PL
New York <---> Australia’, Art Gallery of New South Wales,Sydney, and the National Gallery of Victoria, Melbourne, AU
‘Music-Language’, John Weber Gallery, New York, US
1974 Studentski Kulturni Centar, Belgrade, RS
‘Art & Language 1966-1975’, Museum of Modern Art, Oxford, UK
Galerie MTL, Brussels, BE
Lisson Gallery, London, UK
Galerie Bischofberger, Zurich, CH
Galerie Paul Maenz, Cologne, DE
Galleria Schema, Florence, IT
Galleria Sperone, Turin, IT
1973 'Index 002 Bxal’, John Weber Gallery, New York, US
Galerie Paul Maenz, Cologne, DE
Lisson Gallery, London, UK
‘Annotations’, Galerie Daniel Templon, Paris, FR
1972 ‘The Art & Language Institute’, Galerie Daniel Templon, Paris, FR
Documenta Memorandum (Indexing)’, Galerie Paul Maenz, Cologne, DE
‘Analytical Art’, Galerie Daniel Templon, Paris, FR
1971 Galerie Daniel Templon, Paris, FR
Galleria Sperone, Torino, IT
‘Questionnaire’, Galleria Daniel Templon, Milano, IT
The Air-Conditioning Show (reconstituted 1966 work), Visual Arts Gallery, New York, US
‘Tape Show: Exhibition of Lectures’, Dain Gallery, New York, US
1969 Pinacotheca Gallery, Melbourne, AU
1968 'Vat '68', The Herbert Art Gallery, Coventry, UK
'Dematerialisation Show', Ikon Gallery, Birmingham, UK
1967 'Hardware Show', Architectural Association, London, UK
Gruppenausstellungen
2017 "Luther und die Avantgarde. Zeitgenössische Kunst in Wittenberg, Berlin und Kassel", Altes Gefängnis Wittenberg, St. Matthäus-Kirche Berlin und Karlskirche Kassel, DE
2016 'Sighs Trapped by Liars: Language in Art’, Kunstlerhaus Halle für Kunst und Medien, Graz, AT
'Conceptual Art in Britain 1964-1979’, Tate Britain, London, UK
2015 'After Picasso: 80 Contemporary Artists', Wexner Center for the Arts, Columbus, US
'Modell Kunstverein 2', Neuer Aachener Kunstverein, DE
2014 'Critical Machines’, American University Beirut, LB
'Art & Language, Phoebe Collings-James, Sam Anderson, Cookie Butcher’, Antwerp, BE
'Genuine Concentualism’, Herbert Foundation, Ghent, BE
'Art in Pop’, The Red Krayola, Magasin, Grenoble, FR
2013 'As If It Could: works and documents from the Herbert Foundation’, Herbert Foundation, Ghent, BE
"Nostalgic for the Future", Lisson Gallery, London, UK
’Critical Episodes (1957-2011). MACBA Collecition’, MACBA, Barcelona, ES
’BOOKHOUSE: La Forma del Libro’, MARCA, Catazaro, IT
'Secret Codes’, Galerie Luisa Strina, São Paulo, BR
’Lunch with Olympia’, Edgewood Galleries, New Haven, US
2012 Focus: Charles Harrison as Curator, Tate Britain, London, UK
Invisible: Art about the Unseen 1957 – 2012, Hayward Gallery, London, UK
The Red Crayola, Whitney Biennal, US
Goshka Macuga - Kabinett der Abstrakten (after El Lissitzky), 2003’, Leeds Art, Gallery, Leeds, UK
‘Deep Cuts’, Marres, Maastricht, NL
2011 Homo Economics’, cur. David Bussel, MD72, Berlin, touring through Cabinet Gallery, London, UK
‘Erre, Variations labyrinthiques’ (WANDER, Labyrinthine Variations), Centre Pompidou-Metz, Metz, FR
2010 ‘Animism’, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp, NL
'Double Bind/ Arretez d’essayer de me comprendre!’ Villa Arson, Nice, FR
'Animism’, Kunsthalle Bern, Bern, CH
‘Mirror, Mirror: Then and Now’, The Anne & Gordon Museum of Art, Adelaide, AU
2009 ‘Lisson Presents 5’, Lisson Gallery, London, UK
‘Schere, Stein, Papier’, Kunsthaus Graz, Graz, AT
‘La planete des signes – Concrete Erudition’, FRAC, Ile-de-France, FR
‘That’s all Folks!’, Stadshallen, Bruges, FR
‘Lisson Presents 7’, Lisson Gallery, London, UK
‘Mirror, Mirror: Then and Now’, IMA, Institute of Modern Art, Brisbane, AU
Sculpture Show’, Eastside Projects, Birmingham, UK
‘1968 Die Grobe Unschuld’, Kunsthalle Bielefeld, Bielefeld, DE
‘Sound of Music’, Turner Contemporary, Margate, Kent, UK
‘Vides, Une retrospective’, Centre Pompidou, Musee National d’art Modern, Paris, FR
'Lisson Presents 1’, Lisson Gallery, London, UK
‘Vivre l’art’, collection Venet, Espace de l’art concret, Mouans Sartoux, FR
‘A Mancha Humana’, CGAC, Santiago de Compostela, ES
‘Voids – eine Retrospective ‘uber leere Ausstellungen, Kunsthalle Bern, Bern, CH
2008 ‘Brussels Biennial 1’, Brussels Biennial, Brussels, BE
‘Feelgood things’ curated by Guillaume Biji, Muller Muller Gallery, Konkke-Hesit, BE
‘Group Show 2008’, Ray Hughes Gallery, Sydney, AU
‘Muzej u senci’, Museum of Contemporary Art Vojvodina, Novi Sad, RS
‘Art Metropole: The Top 100’, MSVU Art Gallery, Halifax, UK
‘Sound of Music’, Marres - Centre for Contemporary Culture, Maastricht, NL
guess who's coming’ , Mirta Demare, Rotterdam, DK
Based on Paper - The Marzona Collection’, Middlesbrough Institute of Modern Art - MIMA, Middlesbrough, UK
‘Martian Museum of Terrestrial Art’, Barbican, London, UK
‘Peripheral vision and collective body’, MUSEION - Museum fur moderne und zeitgenössische Kunst, Bolzano, IT
‘Sympathy for the Devil: Art and Rock and Roll Since 1967’, Musee d’art Contemporaine de Montreal, QC, CA
‘Der Garten der Pfade, die sich verzweigen’, Galerie Thaddaeus Ropac, Paris, FR
‘Présence Panchounette’ CAPC - Musée d'art contemporain, Bordeaux, FR
‘Sammlung / Collection’, Migros Museum für Gegenwartskunst, Zurich, CH
2007 ‘Martian Museum of Terrestrial Art’, Barbican Art Gallery, London, UK
Sympathy for the Devil: Art and Rock and Roll since 1967’, Museum of Contemporary Art, Chicago, US
Art and Language’ Peter Blum Gallery, New York, May-June, US
‘For Sale’, curated by Jens Hoffmann, Cristina Guerra Contemporary Art, Lisbon, PT
2006 ‘Public Space/Two Audiences: Works and Documents from the Herbert Collection, Museu d’Art Contemporani de Barcelona, Kunsthaus, Graz, AT
‘Intouchable L’Idéal Transparence’ Cente National d’Art Contemporain, Nice, FR
‘Eye on Europe: Prints, Books & Multiples/1960 to Now, MOMA New York, US
2005 ‘50 years of Documenta 1955-2005’ Kunsthalle Fridericianum, Kassel, DE
‘Collective Creativity’, Kunsthalle Fridericianum, Kassel, DE
‘The Invisible Insurrection of a Million Minds’ Rekald, Bilbao, ES
‘Cram Sessions:03 Sound Politics’, Baltimore Museum of Art, US
‘Wall Works’, Robert Barry, Art & Language, Lawrence Weiner, Mulier Mulier Gallery, Knokke, BE
‘A Brief History of Invisible Art’, CCA Wattis Institute for Contemporary Arts, US
'Radical and Modest’, Ben Uri Gallery, London, UK
2004 'Let the Bullshit run a Marathon’, Nicole Klagsbrun Gallery, New York, US
‘Before the End (The Last Painting Show)’ curated by Olivier Mosset, Swiss Institute, New York, US
‘N(e)orretratos’, Juana de Aizpuru, Madrid, ES
‘ID Troubles’, Halle für Kunst Lüneburg, DE
2003 Venice Biennale (‘Individual Systems’ curated by Igor Zabel), IT
Glad that Things don’t Talk’, works selected by Adrian Searle from the Weltkunst, Collection of British Art, Irish Museum of Modern Art, Dublin, IR
‘Adorno’, Frankfurter Kunstverein, DE
‘Wittgenstein Family Likenesses’, Institute of Visual Culture/Wittgenstein Archives, Cambridge, UK
‘John Russell Presents: Frozen Tears’, Cabinet Gallery, London, UK
‘What am I doing Here? (A Political Exhibition) Esso Gallery, New York, US
2002 ‘Art & Language Paints a Picture’, Theorie-installation der Jackson Pollock Bar, Theater der Welt, Festivalzentrum, Bonn, DE
Conceptual Art 1965-1975 from Dutch and Belgium Collections’, Stedelijkmuseum, Amsterdam, NL
‘Iconoclash’, Center for Art and Media (ZKM) Karlsruhe, DE
Shoot The Singer: Music on Video’, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, US
‘Kunst Nach Kunst’, Neue Museum Weserburg, Bremen, DE
Blast to Freeze: Britische Kunst im 20.Jahrhunert’, Kunstmuseum Wolfsburg, DE
‘Sans Commune Mesure’, au Centre de la photographie, Paris; Musée d’art Moderne de Lille Métropole, Villeneuve d’Ascq; au Fresnoy, studio national des arts contemoporain, FR
2001 Conception, Conceptual Documents 1968-72’ Norwich Gallery and travelling to the Henry Moore Institute and Chisendale Gallery, London, UK
Biennale Leuven, NL
‘Live in Your Head’, Museu do Chiado, Lisbon, PT
2000 ‘Many Coloured Objects placed side by side to form a row of Many Coloured Objects’, works from the collection of Annick and Anton Herbert, Casino Luxembourg, LU
‘The British Art Show 5’, touring exhibition organised by The Hayward Gallery, Edinburgh, UK
Live in Your Head: Concept and Experiment in Britain 1965-75’ Whitechapel Gallery, London, UK
1999 Museum as Muse: Artists Reflect’, Museum of Modern Art, New York, US ‘Global Conceptualism: Points of Origin 1950s-1980s’, Queens Museum of Art, New York, US
‘The 1999 East Wing Collection’, Courtauld Institute of Art, London, UK
‘Get Together, Kunst Als Teamwork’, Kunsthalle, Wien, AT
‘Arrested Ambition’, Apex Art New York, cur. Gregory Williams, US
1998 l’envers du décor, Dimensions décoratives dans l’art du xxe Siècle’, Musée d’art Moderne, Villeneuve d’Ascq, FR
'Odradek’ Bard College, New York, US
1997 ‘Magic der Zahl in der Kunst des 20 Jahrhunderts’, Staatsgalerie, Stuttgart , DE
'Musterwohnen’, Hofgarten am Gendarmenmarkt, Berlin, DE
‘Livres d'artistes. L'invention d'un genre 1960-1980’, Galerie Mansart, Paris, FR
'Documenta X’, Kassel, DE
‘The Impossible Document: Photography and Conceptual Art in Britain 1966-1976’, Camerawork, London, UK
1995 Toponimias (8) Ohos Ideas Del Espacio’, Fundación ‘La Caixa’, Madrid, ES
‘Reconsidering the Oject of Art 1965-1975’, Museum of Contemporary Art, Los Angeles, US
‘Les fragments du désir’, Futur Musée des Instruments, Brussels, BE
‘From Here’, Waddington Galleries and Karsten Schubert Gallery, London, UK
'‘British Art of the 1980s & 1990s - works from the WeltKunst Collection’, The Irish Museum of Modern Art, Dublin, IR
1994 ‘Answer Machine Project. 50 x 50 x 50’, Organized by David Goldenberg and John Roberts, London, US
The Ideal Place III’, Haags Centrum voor Aktuele Kunst, The Hague, NL
1993 ‘Looking at Seeing and Reading’, cur. Ian Burn, Ivan Dougherty Gallery, University of New South Wales, Sydney, AU
'Arena Des Privaten’, Kunstverein, Munich, DE
1992 ‘La Freccia Evolutiva dell'Irreversibilitá’, Studio Oggetto, Milan, IT
'1968’, L'Usine, Dijon, FR
‘Knowledge: Aspects of Conceptual Art’, University Art Museum, Santa Barbara, US
'Travaux d'Artistes’, Galerie Roger Pailhas, Paris and Marseille, FR
‘The Cutting Edge’, Barbican Art Gallery, London, UK
‘Repeticion/Transformacion’, Museo Nacional Centro de Arte Reina Sofia, Madrid, ES
‘Le Sens Figuré’, Acquisitions of FRAC d'Ile-de-France 1991-1992, Centre international d'art contemporain de Montreal, Quebec; Centre Culturel, Pierrefonds; Galerie Les 3 C, LaSalle; Maison de la Culture Cote-des-Neiges, Montreal; Studio A, Montreal, CA
‘Now They Are’, Grita Insam Gallery, Vienna, AUS
1991 'Inheritance and Transformation, Selected Works and New Projects’, The Irish Museum of Modern Art, Dublin, IR
1990 ‘Art Conceptuel, Formes Conceptuelles’, Galerie 1900-2000, Paris, FR
‘65-75 Aspetti e Pratiche dell' Arte Europea’, Castello di Rivara, Torino, IT
‘Team Spirit’, organized by Independent Curators Incorporated, New York, US Neuberger Museum, New York; Cleveland Center for Contemporary Art, Cleveland, US
The Art Museum at Florida International University, Miami, Spirit Square Center for the Arts, Charlotte; Davenport Art Museum, Davenport; Laumeier Sculpture Park, St. Louis, US
‘Glasgow's Great British Art Exhibition’, McLellan Galleries, Glasgow, UK
‘Approaches to Realism’, Bluecoat Gallery, Liverpool, UK
Oldham Art Gallery, Oldham; Darlington Arts Centre, Darlington, UK
‘Rhetorical Image’, The New Museum of Contemporary Art, New York, US
1989 ‘L'art conceptual, une perspective’, Musée d'art moderne de la Ville de Paris; Fundacion Caja de Pensiones, Madrid; Deichtorhallen, Hamburg; Musée d'art contemporain, Montreal, CA
‘L'art conceptual, une perspective’, Musée d'art moderne de la Ville de Paris; Fundacion Caja de Pensiones, Madrid; Deichtorhallen, Hamburg; Musée d'art contemporain, Montreal, CA
Words’, Tony Shafrazi Gallery, New York, US
‘Jet Lag’, Turon Travel Inc., New York, US
‘Sans titre 1989’, Musée national d'art moderne, Centre Georges Pompidou, Paris, FR
1988 ‘British Art: The Literate Link’, Asher/Faure, Los Angeles, US
‘Art Conceptuel 1’, Musée d'art contemporain, Bordeaux, FR
‘Starlit Waters’, Tate Gallery, Liverpool, UK
1987 ‘Current Affairs: British Painting and Sculpture in the '80s’, Museum of Modern Art, Oxford, UK
‘British Art of the 1980s’, Liljevalks, Konsthall, Stockholm, SE
‘Minimal Art, Conceptul Art, Narrative Art, Art & Language’, Galerie Christian Cheneau, Paris, FR
Long Beach; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, US
‘The Analytical Theatre: New Art from Britain’, organized by the Independent Curators Inc, New York: Akron Art Museum, Ohio; Alberta College of Art, Calgary; University Art Museum California State University, US
‘Perverted by Language’, Hillwood Art Gallery, Long Island University ‘British Art of the Twentieth Century: The Modern Movement', Royal Academy, London, UK
1986 ‘Prospekt 86’, Frankfurter Kunstverein, Frankfurt, DE
1985 ‘The British Art Show’, Ikon Gallery, Birmingham, UK
1984 Atheneum, Hartford, Connecticut, US
Atheneum, Hartford, Connecticut, US
‘1965-1972 When Attitudes Became Form’, Kettle's Yard, Cambridge, UK ‘L'Architecte est absent: works from the collection of Annick and Anton Herbert’, Van Abbemuseum, Eindhoven, NL
Sydney Biennale, Sydney, AU
‘1965-1972 When Attitudes Became Form’, Kettle's Yard, Cambridge, UK ‘L'Architecte est absent: works from the collection of Annick and Anton Herbert’, Van Abbemuseum, Eindhoven, NL
1983 ‘Masterworks of Conceptual Art’, Galerie Paul Maenz, Cologne, DE
‘New Art’, Tate Gallery, London, UK
1982 'Mannerism: a Theory of Culture’, The Vancouver Art Gallery, CA
‘Aspects of British Art Today’, Metropolitan Museum, Tokyo, JP
‘Dokumenta 7’, Kassel, DE
1981 Summer Group Show Lisson Gallery, London, UK
Museum van Hedendaagse Kunst, Ghent, BE
1980 ‘Kunst in Europa na '68’, Museum van Hedendaagse Kunst, Ghent, BE
1979 'Languages’, Third Eye Centre, Glasgow, UK
‘Un Certain Art Anglais’, Musée d'art moderne de la Ville de Paris, FR
1978 ‘Poster-Work’, Belgrade Museum, Belgrade, RS
Group Show, Lisson Gallery, London, UK
1977 ‘Lisson Gallery’, Fine Arts Building, New York, US
'Radical Attitudes to the Gallery’, Art Net, London, UK
‘Ils donnent leur Sang: donnez votre Travail’, mural at Eldon Square Shopping Centre, contribution to an exhibition of art in public spaces throughout Newcastle-upon-Tyne, UK
1976 ‘New Work/New York’, Fine Arts Gallery, California State University, Los Angeles, US
‘Sculptor's Drawings’, Fine Arts Building, New York, US
‘Arte Inglese oggi 1960-76’, Palazzo Reale, Milan, IT
'Drawing Now’, Museum of Modern Art, New York, US
‘Biennale di Venezia’, Venice, IT
1974 ‘Summer Group Show’, John Weber Gallery, New York, US
‘Report from SoHo’, Gray Gallery, New York University, New York, US
'New York Art & Language’, Galleria Schema, Florence, IT
‘Kunst uber Kunst’, Kunstverein, Cologne, DE
‘Projekt'74’, Cologne, DE
'L'Art au Present’, Palais Galliera, Paris, FR
1973 ‘Einige Frühe Beispiele Konzeptueller Kunst Analytischen Charakters’, Galerie Paul Maenz, Cologne, DE
1972 ‘Conceptual Art’, Gallery of the Students' Cultural Centre, Belgrade, RS
‘Encuestros’, Pamplona, ES
'Konzept Kunst’, Kunstmuseum, Basel, CH
'The New Art’, Hayward Gallery, London, UK
‘Dokumenta 5’, Museum Friedericianum, Kassel, DE
‘De Europa’, John Weber Gallery, New York, US
1971 ‘The British Avant-Garde’, New York Cultural Center, New York, US
‘Septième Biennale des Jeunes’, Parc Floral de Paris, Paris, FR
‘Art as Idea’, Victoria and Albert Museum Circulation Department, London, UK
‘Art Systems’, Museum of Art, Buenos Aires, AR
‘Arte Conceptuale’, Galleria Daniel Templon, Milan, IT
'Taal-Kunst; een faset van Konseptuele Kunst', Utrecht, NL
‘The Boardwalk Show’, Atlantic City, New Jersey, US
‘Al Arte come Idea en Ingleterra’, Buenos Aires (and tour of South America), AR
1970 ‘Summer Show’, Studio International, London, UK
‘Concept-Théorie’, Galerie Daniel Templon, Paris, FR
‘Information’, Museum of Modern Art, New York, US
‘Art in the Mind’, Allen Memorial Art Museum, Oberlin, Ohio, US
‘Conceptual Art and Conceptual Aspects’, New York, Cultural Centre, New York, US
‘Language IV’, Dwan Gallery, New York, US
‘Idea Structures’, Camden Arts Centre, London, UK
1969 '955, 000’, Vancouver, British Columbia, UK
‘March’, catalogue-show, Seth Sieglaub, New York, US
Paula Cooper Gallery, New York, US
Simon Fraser University, British Columbia, UK
‘557, 087’, Seattle, Washington, US
1968 'Language II’, Dwan Gallery, New York, US
Publikationen
Books and Catalogues on Art & Language:
2014
'Art & Language. Made in Zurich. Selected Editions 1965-1972. The Philippe Méaille Collection', catalogue, Galerie Bernard Jordan, Zurich, CH, Paris, FR
'Art & Language. Nobody Spoke', catalogue, Lisson Gallery, UK
'Art & Language. Uncompleted. The Philippe Méaille Collection', catalogue, MACBA, ES
2013
'Art & Language', catalogue, Museum Dhondt-Dhaenens, BE
2011
‘Art and Language, Portraits and a Dream’, (exhibition catalogue), University of Kent, Canterbury, Kent, UK
2006
‘Art & Language’ (exhibition catalogue) Centro de Arte Contemporaneo de
Malaga, ES
2002
Art & Language; Too Dark to Read, Motifs Rétrospectifs 2002-1965 (exhibition catalogue in french and English). Texts by Michel Gauthier, Andrew Wilson, Charles Harrison, Joelle Pijaudier-Cabot, Michael Baldwin and Mel Ramsden. Musée d’art moderne de Lille Métropole, Villeneuve d’ascq, FR
Conceptual Art and Painting; Further Essays on Art & Language. Charles
Harrison, MIT Press, Cambridge, Massachusetts and London, England, UK
1998
text by Art & Language
‘Art & Language in Practice’, Volume 1, Illustrated Handbook, Volume 2, Critical Symposium, Fundació Antoni Tapies, Barcelona, ES
1997
Art & Language: Conceptual Art from 1965 to1974 (exhibition catalogue),
Mulier Mulier Gallery, Knokke, NL
Art & Language and Luhmann, Institut für soziale Gegenwartsfragen, Freiburg, and Kunstraum Vienna, eds., Passagen Verlag, Vienna; texts by Art & Language, Paul Wood, Charles Harrison, Thomas Dreher, Niklaus Luhmann, Catherine David, Peter Weibel, DE, AT
Sighs Trapped by Liars (exhibition catalogue) Mulier-Mulier Gallery, Knokke, NL
1992
Art & Language, Now They Are (exhibition catalogue), Galerie Isy Brachot and Labor, Brussels; texts by Paul Wood and Art & Language, BEL
Art & Language, Now They Are (exhibition catalogue), Galerie Grita Insam,
Vienna; texts by Charles Harrison and Art & Language, AT
Art & Language (exhibition catalogue), Galerie Nationale du Jeu de Paume, Paris; texts by Charles Harrison, Paul Wood and Art & Language; Libretto for
Victorine (French and English versions), FR
1988
Hostages (exhibition catalogue), Lisson Gallery, London; text by Charles
Harrison, 1991 Charles Harrison, Essays on Art & Language, Blackwell, Oxford, UK
Hostages XXV - LXXVI (exhibition catalogue), Lisson Gallery, Galerie de Paris,
Marian Goodman Gallery; interview by David Batchelor, essay by Christian
Schlatter, FR
1987
Art & Language. The Paintings (exhibition catalogue), Palais des Beaux-Arts,
Brussels; texts by Charles Harrison and John Roberts, FR
1986
Confessions: Incidents in a Museum (exhibition catalogue), Lisson Gallery,
London; text by Charles Harrison, UK
1985
Studies for the Studio at 3 Wesley Place, Art & Language (exhibition catalogue), Tate Gallery, London; text by Charles Harrison, UK
1983
Art & Language, Ikon Gallery, Birminingham; text by Charles Harrison, ‘The
Orders of Discourse: The Artist's Studio’, UK
1982
Charles Harrison and Fred Orton, A Provisional History of Art & Language, Editions Eric Fabre, Paris, FR

Books and Catalogues Referring to Art & Language:

2008
Anni Settanta, Arte Contemporanea, Electa, Milan, IT
2007
‘Regarding the Invisible’, Janus 21
Peter Goldie, Elisabeth Schellekens (eds) Philosophy and Conceptual Art,
Oxford University Press, UK
2006
Ann Stephen, On Looking at Looking: The Art and Politics of Ian Burn,
Melbourne University Press, AU
2004
Michael Corris Conceptual Art, Cambridge University Press, UK
2003
John Russell (ed) Frozen Tears, Article Press, London.
‘Ian Burn and Imants Tillers in Coversation’ Artmonthly Australia, May, Number 159, AU
2002
Paul Wood, Conceptual Art, Tate Publications
Bruno Latour and Peter Weibel (eds) Iconoclash, ZKM, Karlsruhe and the MIT Press, Massachusetts and London, US, UK
Peter Osborne (ed) Conceptual Art, Phaidon Books
Margarita Tupitsyn, Malevich and Film, Yale University Press, New
Haven/London, UK
2001
Anne Rorimer, New Art in the 60s and 70s; Redefining Reality, Thames and Hudson
1997
Jean Michel Place and Anne Moeglin-Delcroix, Esthétique du livre d'artiste
1960/1980
Bibliothéque Nationale de France, FR
1996
Herausgeber 1994 bis 1996, Kunstraum Wien Projekt; Kunstraum, Vienna, AT
Artists Think: The Late Works of Ian Burn (exhibition catalogue), Power
Publications Sydney, Monash University Gallery, Melbourne; Ann Stephen, AU
1995
Brandon Taylor, The Art of Today, Everyman Library
From Here (exhibition catalogue), Waddington Galleries and Karsten Schubert Gallery, London; text by Andrew Wilson, UK
1993
Ine Gevers ed., Place, Position, Presentation, Public, Jan Van Eyck Akademie,
Maastricht; text by Charles Harrison, NL
‘The Legacy of Conceptual Art’ W. J. T. Mitchell ed., Landscape and Power, University of Chicago Press; text by Charles Harrison, US
'The Effects of Landscape’ P. Wood, C. Harrison, F. Frascina and J. Harris, Modernism in Dispute: Art Since the 40s, Yale University Press, New Haven & London; text by Paul Wood and Charles Harrison, ‘Modernism and Modernity Revisited’, UK
1992
Thomas Dreher, Konzeptuelle Kunst in Amerika und England Zwischen 1963
und 1976, Peter Lang, Frankfurt am Main, Bern, New York, Paris, DE
The Cutting Edge (exhibition catalogue), Barbican Art Gallery, London, UK
Le Sens Figure (exhibition catalogue), Fonds Regional d'Art Contemporain d'Ilede- France, Conseil des Arts Communauté Urbaine de Montreal; texts by
Bernard Goy and Fabrice Hergott., FR
Thorsten Scheer, Postmoderne als kritisches Konzept,Wilhelm Fink Verlag,
Munich, DE
Repetición/Transformación (exhibition catalogue), Museo Natioal Centrode Arte Reina Sofia, Madrid; texts by Franciso Calvo Serraller, Aurora Garcia, and Michael Tarrantino, ES
1991
Postmodernism, Politics and Art, Manchester University Press; text by John
Roberts, UK
Realism, painting, dialectics: Art & Language's Museum Series’
Approaches to Realism (exhibition catalogue), Bluecoat Gallery, Liverpool; text by John Roberts, UK
Team Spirit (exhibition catalogue), Independent Curators Incorporated, New
York; texts by James Hillman, Irit Rogoff, Susan Sollins and Nina Castelli Sundell, US
Rhetorical Image (exhibition catalogue), The New Museum of Contemporary
Art, New York, US
Juan Vte. Aliaga and Jose Miguel G. Cortes eds., Arte Conceptual Revisado,
Universidad Polytecnica de Valencia; ES
‘Interview with Art & Language’
Art Conceptuel, Formes Conceptuelles (exhibition catalogue), Marcel Fleiss and Galerie 1900-2000, Paris; texts by Christian Schlatter and Charles Harrison, FR
1990
Glasgow's Great British Art Exhibition (exhibition catalogue), Glasgow Museums and Art Galleries, Glasgow, UK
Ian Burn, Dialogue, Writings in Art History, Allen and Unwin. Sydney, AU
1989
Synnyt. Sources of Contemporary Art, Museum of Contemporary Art, Helsinki, FIN
L'art conceptuel, une perspective (exhibition catalogue), Musée d'Art Moderne de la Ville de Paris, Paris; texts by Benjamin Buchloh, Charles Harrison, Gabriele Guercio and Seth Siegelaub, FR
Giancarlo Politi ed., Flash Art. Two Decades of History, XXI Years; text by
Charles Harrison
‘Art & Language’, from Flash Art, no 35-6, Sept-Oct 1972
I. Lavin ed., World Art; Themes of Unity in Diversity (Acts of XXVIth
International Congress of the History of Art) Vol II., Pennsylvania State University Press, University Park and London; text by Charles Harrison, UK
‘Art and Language: The Contest for the Modern’ L'Exposition Imaginaire, The Art of Exhibiting in the Eighties, SDU Uitgeverij, Rijksdienst Beeldende Kunst, The Hague; text by Charles Harrison,‘Thoughts in the Black Museum’, NL
1988
Starlit Waters (exhibition catalogue), Tate Gallery, Liverpool; texts by Lewis
Biggs, Richard Francis, Charles Harrison, Martin Kunz, Lynne Cooke and Iain
Chambers, UK
1987
John A Walker, Cross-overs: Art into Pop, Pop into Art, Methuen, London and
New York, US
S. Compton ed., British Art of the Twentieth Century: The Modern Movement , Royal Academy, London and Prestel Verlag, Munich, UK, DE
1978
Filberto Menna, L'Arte Moderna 109: L'Arte Concettuale, Fabbri Editions, Milan, IT
1976
Lea Vergine, Dall Informale alla Body Art: Dieci dell'arte Contemporanea 1960/70, Cooperativa Editoriale Studio Forma, Turin, IT
1975
John Walker, Art Since Pop, Thames and Hudson, London and New York, UK, US
1973
Lucy Lippard, Six Years: the dematerialization of the art object, Praeger, New York, US
1972
Catherine Millet, Textes Sur l'Art Conceptuel, Editions Daniel Templon, Paris, FR
E. Migliorini, Conceptual Art, Edizione D'Arte Fiorino, Florence, IT
Ursula Meyer, Conceptual Art, Dutton, New York, US
1971
James Collins, Revision and Prescription (distributed by mail), New York, US
Jack Burnham, The Structure of Art, Braziller, New York, US
Lucy Lippard, Changing: essays in art criticism, Dutton, New York, US

Essays, Articles and Reviews on Art & Language:

2009
Jan Verwoert, ‘Secret Society’, Frieze June/July/August 2009
2007
Beatriz Herraez, ‘Art & Language’, Flash Art, no 255, July/August 2007
Charles Harrison ‘Partial Accounting: Art & Language’ in The Life and the Work
Art And Biography, edited by Charles G.Salas, Getty Research Institute
Matthew Jesse Jackson ‘Para-performative Practices and Late Modernism: on
Contemporary art and the museum’, Museum International, September
2005
David Keenan ‘The Red Krayola: Mayo Thompson’s Velvet Revolution’, Wire
magazine August
Andrew Hunt ‘Art & Language’, Lisson Gallery, London, Frieze magazine,
September
2004
Peter Osborne ‘Art beyond aesthetics: philosophical criticism, art history and
Contemporary art’ Art History, 27: 4, September
2003
Mark Irving ‘Grumpy Old Men still relish Controversy’ (review of show at Lisson Gallery), Financial Times, Monday, January 13th
Liam Gillick ‘No Laughing Matter’, Artmonthly No.264, March
Alexander Alberro, ‘The Fox: One year under the Mast’ Artforum, Summer
2002
Catherine Millet, ‘Art & Language Revisited’, Art Press Number 276, February
John A. Walker, Left Shift:Radical Art in 70s Britain, I.B. Tauris Publishers,
London-New York
Alphonse Cugier, ‘L’ écriture, la peintre, objets d’art?’ liberté Hebdo, 28th
February
Elisabeth Lebovici ‘Lettre ou ne pas lettre’ Liberation, 2-3 February
Michel Nundsany ‘Art & Language: entre ironie et dissimulation’, Le Figaro, 1st March
Frédéric Bonnet, ‘Art & Language: de la conversation en peinture’ Parpaings,
April
Harry Bellet, ‘Des Mondes à penser pour les crocodiles soumis’ Le Monde, 30th April
Maud de la Forterie, ‘Art & Language: inventaire, mon cher Watson’ Art Actuel, March-April
Morgan Falconer, ‘As Good as Your Word, Artreview, March
2001
Charles Green The Third Hand, Collaboration in Art from Conceptualism to
Postmodernism, University of Minnesota Press
John A. Walker, ‘Radical Artists & Art Students versus Management &
Bureaucracy during the 1970s, International Journal of Art & Design Education, Vol.20 No.2
2000
Jean-Christophe Royoux ‘Aux frontieres de l’exposition:le Modele
conversationnel entre construction du moi et espace public du Communication, Art press, spezial No.21
Charles Harrison ‘The Condition of Finish in Modern Painting’ Twoninetwo ,
Number 2, Edinburgh College of Art.
Howard Slater ‘The Spoiled Ideals of Lost Situations: Some Notes on Political
Conceptual Art’, Infopool No. 2
1999
John Slyce ‘Art & Language’, review of the Art & Language exhibitions at
Fundacio Antoni Tapies,Barcelona and PS 1, New York, Art Monthly, November
Peter Osborne ‘Conceptual Art and/as Philosophy’, Rewriting Conceptual Art (Bird and Newman, eds.) Reaktion Books, London
William Wood ‘Still you ask for More:Demand, Display and The New Art’,
Rewriting Conceptual Art (Bird and Newman eds.) Reaktion Books, London
Rex Butler, ‘What is the Secret of Secret Painting?: On Loooking at Seeing and
Reading’ Australian Journal of Art, Volume XIV, number 2
1998
‘Pervy Pics are Art not Porn’ Milton keynes on Sunday, p.9, January 25th
Matthew Collings, ‘Dropping Acid’, Observer Review, 8th November
David Burrows ‘Art & Language/BANK’, Art Monthly, November-December
1997
Matthew Collings, ‘It May be Anti-art but they’re all Mad for it’, Independent,
Tuesday19th August
Drew Milne, ‘The Performance of Scepticism’ Act (Art, Criticism and Theory), No3
‘Endgames’ ed. Juliet Steyn, London, Pluto Pres
1996
Michael Newman, ‘Conceptual Art from the 1960s to the 1990s: An Unfinished Project’
Kunst & Museum Journal, Volume 7, Numbers 1/2/3
1995
Nonie Niesewand, ‘Back To The Easel’, Vogue, February, London
Michael Archer, ‘Licensed to Paint’, Art Monthly, May
Charles Harrison, ‘Art & Language Paints a Landscape’, Critical Inquiry, Vol. 21, no. 3, Spring, Chicago
David Barrett, ‘From Here’, Everything, no.16, London
Martin Maloney, ‘London - Current British Art’, Burlington Magazine, London, June
Rainer Metzger, ‘Art & Language and Luhmann’; Kunstforum, May-July
Rosalind Krauss, ‘Art & Language se met à la Peinture: aléa de l'art Conceptuel’, Art Press, hors série no. 16
Carles Guerra, ‘Pseudo-Pinturas Para Conversar’, Lapiz, February
1994
Muriel Caron, ‘Art & Language’, Artefactum, 1 March, XI/51
Michael Finch, ‘Art & Language, Pulling Faces’, Contemporary Art, Spring
Tom Holert, ‘Art & Language, Painting by Mouth’, Flash Art, March/April
Adrian Searle, ‘Art & Language, Lisson Gallery’, Time Out, London, 22-29 June
Francoise Vallet, ‘Art & Language’, Fiche Artiste, no.9, 22 Sept 1994, Geneva
Geraldine Norman, ‘The British Set Trend With Pickled Bulls and Subversive
Vases’, The Independent, 21 Nov 1994
Michael Archer, ‘The Cologne Art Fair: Two Views’, Art Monthly, Dec 1994/Jan l995
1993
Charles Harrison, ‘On Painting a Landscape’, Kunst and Museumjournaal
November
David Batchelor, ‘Art & Language: What Painting Means’, Art Press, no 185,
November
Tom Holert, ‘Ausgangspunkte (Art & Language antworfen auf Fragen von Tom Holert)’, Texte zur Kunst, November, 3 Jahrgang nr. 12
Yves Abrioux, ‘Art & Language’, Untitled, Winter, no 3
1992
Paul Wood, ‘Internal Exile, Art & Language's Hostage Paintings’, Arts Magazine, January
Carolyn Christov-Bakargiev, ‘Art & Language, the British School’, Flash Art,
February-March
Thorsten Scheer, ‘Gerhard Richter and Art & Language, Conceptual Aspects of Postmodernism’, Artefactum, February-March
Jacques Meuris, ‘Art & Language: Du Concept au Constat’, Art et Culture,
Belgium, June
‘Art & Language’, Sans Titre, France, no. 18, July/August/September
Danielle Gillemon; ‘Art & Language: les atermoiements du concept’, Le Soir,
Brussels, August
Charles Harrison, ‘The Critic's Part’, Kunst and Museumjournaal, Vol. l, no.
4,February
1991
David Batchelor, ‘The Archaeology of Surf: Notes on Recent Paintings by Art & Language’, Artscribe International, Jan-Feb,
Ian Brunskill, ‘Essays on Art & Language’, Artscribe International, December
David Cohen, ‘Art & Language’, Galleries, March
‘Political Pick 'n' Mix’, The Independent on Sunday, 17 March
Andrew Graham-Dixon, ‘The writing is on the wall’, The Independent, 26 March
Richard Dorment, ‘Paintings packaged as a cultural sandwich’, The Daily
Telegraph, 26 March
Adrian Searle, ‘Art & Language’, Time Out, 27 March
Matthew Collings, ‘Art & Language’, City Limits, 28 March
William Feaver, ‘It's such fun to huff and bluff’, The Observer, 31 March
Charles Harrison, ‘Form and Finish in Modern Painting’, Filozofski Vestnik, no 1
Slovene Academy of Arts and Sciences, Ljubljana
Linda Talbot, ‘Doing their level best to unsettle’, Hampstead & Highgate Express, 5 April
Michael Archer, ‘Hello, Terry Speaking’, Art Monthlv, May
Michael Corris, ‘Art & Language, Lisson Gallery and ICA’, Artforum, May
Andrew Renton, ‘Art & Language, Lisson, ICA’, Flash Art, May/June
Andrew Wilson, ‘Art & Language, Lisson Gallery, London and ICA, London’,
Forum International, May/August
Enrique Juncosa, ‘Exposiciones. Art & Language’, Lapiz, no 78, June
Ruiko Harada, ‘From London’, Bijutsu Techno Magazine, June
Frank Popper; ‘Kollektive Absichten und Ausführungen in den Bildenden Kunsten der Gegenwart’, Kunstforum InternationaL, November/December
Carolyn Christov-Bakargiev, ‘Britannici tra i sette colli’, Domenica, 17 November
Francesca Romana Morelli, Il Giornale dell'Arte, December
‘Operatori delle visioni’, Trovaroma, December
‘The Hostage Series’, II Piacere dell'Occhio, December
Brian Hatton, ‘Approaches to Realism’, Artforum, March
Jorg Heiser, ‘Geiseln der Zukunft’, Heaven Sent, I, June
Art in Ruins,'The Seduction of Resistant Virgins’, Frieze, no. 1, Summer
1990
Christophe Domino, ‘Objet du discours et discours de l'objet’, Artstudio, no 19, Winter
‘New York in Review’, Arts Magazine, May 1990
Charles Harrison, ‘Art Conceptuelle et Jugement Critique’, Lund Art Press, Vol. 2 no. l, Autumn/Winter, Department of Theoretical and Applied Aesthetics, Lund University, Sweden
Charles Harrison, 'Art & Language: Neki uslovi i preokupacije u prvoj deceniji', Moment, 20, Belgrade
Miško Šuvakovic, 'Diskurzivni Incidenti: rasprava diskurzivnij poredaka Charlesa Harrisona', Dometi, 11, Rijeka
Miško Šuvakovic, 'Charles Harrison: Diskurzivni rezovi', Moment, 20, Belgrade
1989
Didier Arnuadet, ‘Art Conceptual I, CAPC Bordeaux’, New Art International,
January
Charles Harrison, ‘On the Surface of Painting’, Critical Inquiry, Vol 15, no 2,
Winter, Chicago
Thomas Dreher, ‘Art & Language, Art as a Series of Festivals or Art as a Project of Work’, Art Factum, April/May
David Batchelor, ‘Art & Language’ (interview with Michael Baldwin and Mel
Ramsden), Journal of Contemporary Art, Vol.. 2, no. 1, Spring/Summer
Charles Harrison, ‘Some other sense: on Hostage: Incident and a People's Flag’ Artscribe International, Summer
Catherine Millet, ‘Le Montant de la Rancon’, Art Press, no 139, September
Thomas Dreher, ‘Art & Language’, Noema, no 5, Sept/Oct
Luc Lang, ‘L'Art et les Mots: notes de reserve sur l'histoire’, Artstudio, no 15,
Winter
Jean-Michel Foray, ‘Art Conceptuel: une possibilité de rien’, Artstudio, no 15,
Winter
Mark Francis, ‘La Pauvreté de L'Atelier et la Richesse du Musée’, Les Cahiers du musée national d'art moderne, Centre Georges Pompidou, Paris
Thomas Dreher, ‘Art & Language; Index: Incident in a Museum 1985-87’, Kunst & Unterricht, no. 138, December
1988
Holland Cotter, ‘Museum Talk: Art & Language’, Art in America, June
Allan Shields, ‘Art-Language’, Art Press, no. 129, October
Brian Hatton, ‘Art & Language; a Critical Allegory of ‘Self Criticism’ Itself’, Flash Art, October
Michael Archer, ‘Art & Language, Lisson Gallery’, Artscribe,
November/December
Mary Anne Staniszewski. ‘Conceptual Art’; ‘Conceptual Questionnaire’ (response by Michael Baldwin); ‘Mel Ramsden Interview’, Flash Art (Conceptual Supplement), November/December
J. R. R. Christie and Fred Orton, ‘Writing on a Text of the Life’, Art History, Vol 2, no 4, December
John Miller, ‘Art & Language, Marian Goodman’, Artscribe International,
March/April
Miško Šuvakovic, ‘Lawrence Weiner and Art & Language’, Moment, no 10,
Beograd, April
1987
Matthew Collings and Stuart Morgan, ‘True Brit: An Enquiry into National
Character’, Artscribe International, no 61, January/February
Michel Baudson, ‘Incidents au Musée’, Art Press, no 114, May
Richard Dorment, ‘The Painting of Theories’, The Daily Telegraph, May 8,
London
1986
Donald Kuspit, ‘Of Art & Language’, Artforum, May
Richard Francis, ‘Your 'if' is the only Peacemaker ... Art & Language's Museum
Paintings,’ Artscribe International, June/July
1985
E. H. Gombrich, ‘Image and Word in the 20th Century Art’, Word and Image,
Vol 1, no. 3, July
1984
Sanda Miller, ‘Art & Language, Michael Baldwin and Mel Ramsden: Extracts from a conversation with Sanda Miller’, Artscribe International, July/August
1983
John Roberts, ‘Three Men in a Studio’, Art Monthly, July/August
Colin Gardner, ‘Levels of Discourse’, Art Week, October 8, Los Angeles
1982
Stuart Morgan, ‘Art & Language at Dokumenta 7’, Artforum, September
Heidi Grundmann' ‘Ein Interview mit Art & Language’, Artig, no. 1, Vienna
Jean-Christophe Ammann, ‘Dokumenta: Reality and Desire’, Flash Art,
November
1981
Lynn Hanna, Review of 'Kangaroo?', New Musical Express, May 30
‘Aux Arts, Citoyens’, Actuel, Paris, June
Jim Pallette, ‘Le Monde Merveilleux d'Art & Language’, Libération, July 20, Paris
Jacob Berger, ‘L'Ironie comme Produit Culturel’, TUB-Hebdo, no. 23, Geneva
1980
Clive Philpot, ‘Art Magazines and Magazine Art’, Artforum, February
Paul Groot, ‘Guerrilleros van de Kunstwereld’, Museum Journaal, August
1979
Ralph Rumney, ‘Un Certain Art Anglais; Showing the Flag in France’, Art Monthly, March
1977
Peter Smith, Review of Art & Language at the Robert Self Gallery, Art Monthly December/January
Nancy Marmer, ‘Artpolitics 77’, Art in America, September/October
John McEwan, ‘Ingrowing’ (review of Art & Language at the Robert Self Gallery),
The Spectator, London, July 16
1976
Brandon Taylor; ‘Textual Art’, Artscribe, January
Kay Larson, ‘Art Critics of the World Unite, You have nothing to lose but your
Formalism’, The Boston Phoenix, October 5
Werner Lippert, ‘Is There an Art Scene in New York?’, Heute-Kunst,
October/December
D. Davis, ‘The Size of Non-Size’, Artforum, December
1975
Ian Burn, ‘The Art Market: Affluence and Degradation’, Artforum, April
Terry Atkinson, ‘Reply to Joseph Kosuth's ‘Uber Eine Anthropologisierte Kunst’', Extra, no 3
Annette Kuhn, ‘Culture Shock’, Village Voice, August 18
Mona da Vinci, ‘The Fox and Other Fairy Tales’, SoHo Weekly News, December 25
1974
Terry Smith, ‘Art and Art & Language’, Artforum, February
Paul Wood, ‘Art & Language at the Lisson Gallery’, Studio International, February
Alan Kaprow, ‘The Education of the Un-Artist III’, Art in America, February
G. Contessi, ‘Nuova Pittura Arte Conceptuale’, Flash Art, ApriI
Joseph Kosuth, ‘Uber Eine Anthropologisierte Kunst’, Extra, no. 1, Cologne
1973
Lucy Lippard, ‘Some of 1968’, Arts Magazine, January
Andrew Menard, Preston Heller, ‘Kozloff: Criticism in Absentia’, Artforum,
February
Bruce Boice, ‘Books: Art & Language’, Artforum, March
James Collins, ‘Things and Theories’, Artforum, May
lan Jeffrey, ‘Art Theory and the Decline of the Art Object’, Studio International, October
Susan Steadman-Jones, ‘De Legibus Philosophicus’, Studio International, October
John Stezaker and Rosetta Brooks, ‘The British Avant-Garde’, Studio
International, October
Caroline Tisdall, ‘Word Play’, The Guardian, November
1972
Thomaso Trini, ‘Art & Language: Galleria Daniel Templon’, Domus, February
Linda Morris; ‘Art & Language’, Artpress, March
Charles Harrison, ‘Art & Language Press’, Chroniques de l'art vivant
(Speciale/Grande Bretagne), April
John Stezaker, ‘Priorities’, Frameworks, no I, London
Lizzie Borden, ‘3 Modes of Conceptual Art’, Artforum, June
Max Kozloff, ‘The Trouble with Art as Idea’, Artforum, October
Peter Berry, Paul Wood, Kevin Wright, ‘Remarks on Art Education’, Studio
International, November
Anthony Everitt; ‘Four Midland Polytechnic Fine Art Departments’, Studio
International
Rudi H. Fuchs, ‘More on the New Art’, Studio International, November
1970
Catherine Millet,’L'Art Conceptuel’, L'Art Vivant, Paris, January
Willis Domingo, ‘In the Museums’, Arts Magazine, May
Carter Ratcliffe, ‘Conceptual Art and Conceptual Aspects’, Art International,
Summer
Catherine Millet, ‘L'Art Conceptuel comme Semiotique de l'Art’, VH101, Paris, January
Donald Karshan, ‘The Seventies: Post-Object Art’, Studio International,
September
Ian Burn, ‘Conceptual Art as Art’, Art and Australia, September
Charles Harrison, ‘A Very Abstract Context’, Studio International, May
Charles Harrison, ‘Virgin Soils and Old Land' (Introduction to 'The British Avant- Garde'), Studio International, May
D. Shirey, ‘British Avant-Garde in 100 Work Show’, The New York Times, May
21
Germano Celant; ‘The Book as Art Work’, Data, no 1, September
E. Migliorini; ‘Art-Language’, L'Art Vivant, October/November
René Huyghe, ‘Fin de l'art ou Art Nouveau’, La Galerie, October
Catherine Millet, ‘Appunti Su Art-Language’, Flash Art, October/November
I. Tomassioni, ‘Dall Oggetto Al Concetto Elogio Della Tautologia’, Flash Art,
December
1969
G.R. Lansell.’Pseudo-Science’, Nation Australia, August 11
Joseph Kosuth, ‘Art after Philosophy’, Studio International,
October/November/December
1968
‘Myfanwy Kitchen’ (review of ‘Dematerialisation Show’), The Guardian, October 4














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