Keltie Ferris translates the concept of identity on an abstract level. Her paintings are characterized by references to Performance Art, Abstract Painting and digital imagery, combining the illusion of space with direct bodily experience. She occasionally uses her own body as a tool, while her painting as such evokes a corporeal space due to the change between spray-painted, hand-painted and relief-like elements. Ferris grasps painting as a personal index that rejects easy gendered identification of the body, suggesting a performative state of identity.
Keltie Ferris’ (US 1977) works are part of renowned museum collections such as The Kemper Museum of Contemporary Art in Kansas City or The Nerman Museum of Contemporary Art (Oppenheimer Collection), Overland Park. In 2018 The Speed Art Museum in Kenntucky dedicated a solo exhibition to Keltie Ferris. Recent solo exhibitions include Body Prints and Paintings at the University Art Museum at SUNY Albany, New York (2016); Paintings and Body Prints at Mitchell-Innes & Nash, New York (2015); Keltie Ferris: Doomsday Boogie at the Santa Monica Museum of Art, Los Angeles (2014).