Vivian Greven’s painting is based on an adept play with various notion of bodies, being and representation, with concepts of classical antiquity merging with pop art and digital image worlds. Vivian Greven’s painting is characteristic of our present times, which are shaped by the internet and social media and thus dissolve the hierarchies between original, reproduction and simulation. The art historical and contemporary historical nestling corresponds with Greven’s painterly treatment of surfaces. Parts of her painting rise as actual reliefs that encounter sprayed or painted fictions of bodies and space. The aesthetic of her pictures vacillates between the vocabulary of physical painting and the ethereal illusion of LCD windows.
Vivian Greven (DE 1985) is already represented in internationally renowned museum collections such as the Kunstmuseum Stuttgart, and since September 2019 she is participating in the show “Jetzt! Junge Malerei in Deutschland” at the Kunstmuseum Bonn, the Kunstsammlung Chemnitz – Museum Gunzenhauer, the Museum Wiesbaden, Deichtorhallen Hamburg. Her works have also been on view in international exhibitions, including recently at the Kunstmuseum Stuttgart, the Sammlung Philara Düsseldorf, the Braunsfelder Family Collection Cologne and the Salzburger Kunstverein.